Art obsession tokyo

Ink, Courtesy: Wikimedia Commons. Ahmed Elgammal, to try to use AI to create stylistically new art. The results, with their blurred faces and general tilt toward abstraction, look both retro and modern in equal measure: a mix of Renaissance, impressionist, and abstract expressionist styles all presented with a palpable digital sheen. Creative adversarial Network print on canvas, 58 x 58 in. Courtesy: HG Contemporary. However, he actually died during the early Taisho period that promised further modernization and greater liberty.

This equally applies to art and Confucian concepts because his father was a scholar of Confucianism. Artistically, his father also adored rinpa art. Yet, he equally understood that the old artistic world of rinpa was worth preserving. Henceforth, he felt an obligation to inform the next generation about this delightful art form. Therefore, despite the rapid changes in society, he felt a deep connection to the past.

You are commenting using your WordPress. You are commenting using your Google account. Stemming from her hallucinations, these increasingly phantasmagorical and kaleidoscopic forms are also visible in her collage works from the mid s to the early s. A series of these works make up a large component of this exhibition.

Bird and other creatures are confined here in complexly patterned circles that appear almost like nuclei surrounded by auras and biomorphic fringes. In this exhibition, iridescent silver anthropomorphic protuberances envelope a rowing boat, almost scale-like, a pattern similar to that of her infinity nets. The exhibition concludes with more recent work in the central gallery.

Twelve paintings from the ongoing My Eternal Soul series show the artist combining her obsessive patterns with brilliant colours in these large-scale works. Entering the illusory infinity of this mirror-lined space, the viewer becomes part of the room, reflected endlessly along with the dots — a participant and ultimately a performer of Kusama's 'Dot Obsession' Curated by Sharjah Art Foundation Director Hoor Al Qasimi.

Commissioned by Queensland Art Gallery.